Alice Cooper live at Liseberg, Gothenburg 120808

Before the consert in Gothenburg I was slightly discontented with the band playing the same set list as last year but removing old ''Clones'' which was appreciated last year. A good thing though was that they instead played ''Caffeine'' (from the latest album ''Welcome 2 my Nightmare'').

When the gig started my discontent was blown away though. Alice and the band (Ryan Roxie, Orianthi, Chuck Garric, Tommy Henriksen, Jonathan Mover) seemed so tagged and having so fun that it all made us extra happy as well. The set was really well done and with several smiles glittering now and then among the musicians throughout the gig and Orianthi and Ryan did a little back-to-back dance while playing during a part of ''Billion Dollar Baby''. Part of it was the audience, there were a lot of fans surrounding me and behaving civilized although being submerged into the music and the show.

When the ending came with the balloons, serpentines, ''School's Out'' mixed with ''Another Brick in the Wall'' and Elected it felt like there had never been so much confetti, serpentines and paper feathers ever at a Cooper consert. Alice always tell the press that ''he's in the best shape ever'' but this time it felt like it. It was a very happy ferret leaving Liseberg's main stage that night.

Steven's Story so Far

Okay, so I'm gonna try a little different approach to the story of Steven. Acutally I'm gonna place a song from the latest record, Welcome 2 my Nightmare, as the first event. My speculation here is that Steven and his mom gets mistreated by their father and this is what's described in When Hell Comes Home and that leads up to the boy, I assume Steven, shooting his father. It do fit in with the ballad Only Women Bleed who actually deals with mistreated women (by men). Steven shooting his own father might be the scaring episode of his life that the song Steven (from Welcome to my Nightmare) refers to but I don't think we're there yet since for example Escape implies some age, like 16 or soemthing since the main character obviously have some sort of stage career.

Next I think The Last Temptation takes place. Here Steven is something like twelve years old or so. Steven meets The Showman and gets challenged by him and Steven's friends to enter The Theatre of Real. The Showman tries to lure Steven into a contract by showing him troubles in grown-up life and offering forever childhood, for the small price of Steven's potential. Steven sees through him though and in the end burns down the Theatre of Real and escapes with the girl Mercy who in the end shows to not be real and disappears and leave Steven alone, abandoned.

Welcome to my Nightmare might actually take place several years later in Steven's life. The song Escape implies a certain age since the escape to the stage and the stage persona craves some sort of career and that a certain age. In the song Steven Steven remembers something horrifying that happend years ago. Someone died and Steven wants in certain moments flee to his childhood before this happened and in certain moments get forced back to reality and after the horrifying event. The someone might be Steven's father shot by Steven after mistreating Steven and his mother for some time (Only Women Bleed and When Hell Comes Home). Death of someone loved can be horrifying enough but having ones father make you hate him that much that you shoot him probably creates a lot of tension and a not totally sound personality. The temptation of escaping to childhood also is a little like the temptation that Steven might haven fallen for in The Last Temptation.  It is also plausible that When Hell Comes Home and the murdering of the father takes place after The Last Temptation since it hasn't to be about a really young boy although Welcome to my Nightmare gives that impression.

Wind-up Toy, a song from the album Hey Stoopid, places Steven in an asylum. It's hard to tell whether Steven's young or if his mind has snapped and he's escaping by becoming crazy and ''becoming young again''.

Along Came a Spider tells the story of a serial killer that in the end shows to have been in anasylum for 27 years and not bein able to have committed the crimes and leaving for the listener to think about whether everything just have taken place in his mind or if he in some way committed the crimes. My friend Bellis did his own take on this in a post on the blog here.

In Welcome 2 my Nightmare Steven is having his last nightmare. As it goes on it shows more and more of Steven actually dying and probably going to Hell.

Welcome 2 my Nightmare (WTMN part 2)

So Alice has released a Welcome to my Nightmare part 2, dubbed Welcome 2 my Nightmare. What's it about and where do we place it in the story of Steven?

The actual nightmare story is 14 songs with two bonus songs; Under the Bed och Flatline. The albums starts out with the song I Am Made of You. My first thought when I heard the song was that it was the nigtmare or The Nightmare Guide, like The Curator from Welcome to my Nightmare part 1, that sang to Steven and and explained that the nightmare and/or The Nightmare Guide was conjured up by Steven himself. It felt fitting since one might conclude that nightmares actually comes from inside one self rather than from some outside source. Alice himself has said that the song should be a little unclear. It should not be obvious whether for example he sings to the girl in his dreams or if he's singing to God or if he's singing to the audience that he's made up of them. The song tries to capture some near sleep confusion when things make sense and suddelny don't but then again make sense but maybe not when you wake up again. It might also repressent some sort of goodnight prayer from Steven when he falls to sleep.

The next song is Caffeine but I would like to place the bonus song Under the Bed herealthough one might argue that it doesn't really fit with this album but rather with the first Welcome to my Nightmare or Wind-up Toy. According to Alice they wrote this one before the concept of the album was really clear and later decided it didn't really fit and I can see why. In any case it's a I-know-that-it-will-be-terrible-to-go-to-sleep-and-I-got-terrible-things-under-my-bed-that-comes-forward-in-the-dark song. The song speaks about the things living under Steven's bed and who among other things ate his cat.

Caffeine is an up tempo straight forward song with some nice variations. Steven knows he can't go to sleep and takes refuge in lots and lots of caffeine and even amphetamine, anything to not go to sleep because that might mean the death to him or even most certainly means the death to him. It doesn't help though and at the end of the song he desperately calls for more and slow down and fall to sleep. Caffeine is followed up with a short transition song where Steven makes a last futile attempt to not fall to sleep, ended with a ''no'' and then the theme from part 1's Steven starts. Now we now it's to late, Steven has fallen to sleep and enters the nightmare via the instrumental ending of the song The Nightmare Returns.

The nightmare begins with Steven entering the Nightmare Express symbolized with the song Runaway Train. It's a song quite good capturing the feeling of a speeding train who eventually in the end speeds beyond control and crashes. Steven finds him chained to thirteen other men ''rotten to the core'' and to the floor in the train. He tries to argue that he's in somebody else's dream to which they just comment ''Brother so are we''. He then tries to argue that he's a big celebrity and presumably don't deserve the wrong dream but they answer him htt he's noone here, that he's in no demand here. This gives some echos of Dragontown's Disgraceland where the main character, presumably Elvis Presley, finds him self in the same situation of not being able to call upon his earthly celebrity and goes to Disgraceland, presumably Hell. It's reference to being a celebrity might also lend some credability to the connections between Steven and the stage persona Alice Cooper and the real person Alice Cooper/Vincent Furnier. In the comments in the Classic Rock theme magazine Alice himself is several times speaking of Alice participating in the nightmare as if he (stage Alice or real world Alice) and Steven were the same. In pre-release comments Alice has also talked abut Alice's nightmare and refferred to part 1 as Alice's earlier nightmare. The train crashes and Steven in some nightmarish logic survives and the next song starts. Surviving is a realtive expression though as the last lines of the song speaks about Steven's hurting body and sleeping in a graveyard on the wrong side of the dirt. In a grave?

Last man on Earth paints the picture of Steven being alone on Earth for some reason. A picture of the crashed train in the fan pack shows a picture where Earth seems destroyed by some catastrophe but on the other hand, as we shall see, maybe Steven isn't really on Earth. In a Tom Waits kind of song Steven finds himself all alone on Earth but as the song goes on he comes to like it since he never really liked the other guys and now he has everything for himself and can behave as he wants. We here also gets a glimpse of this being some state of eternity and as the song crescendos with Steven's ''It's all mine, mine, mine, mine, mine, mine, mine!'' and ends we hear some applause wich of course is a little strange when you're all alone.

In The Congregation Steven/Alice is welcomed by The Nightmare Guide. The song is sung by Alice but the narration where The Guide actually speaks is done by Rob Zombie. Here we again are told that Steven died. The guide greets him as concludes that he, Steven, joined ''them'' when he died but he should not be afraid. According to the Guide Steven entertained himself to death and now is welcomed to ''The Congregation''. The Guide explains that he understand that Steven had other plans involving singing bluebirds ringing church bells but his application was denied but ''they'' in ''The Congregation'' love him anyway. Other ones here is ''the boys from Wall Street'', priests who has lost their holy status, telemarketers, lawyers, pimps and mimes. ''They'' hope he's gonna like but in the end he, Steven, is till gonna fry.

Now enters some strange and wonderful woman but with a less fantastic real herself underneath. Steven tries to run but is drawn to her and don't really try to escape, lured by for example her red lips, her blood red lips. She pushes him down on her burning bed and just to make everything totally clear tells him that if he would resist ''I'll bite your face off, little man''. I'll bite your face off is also what the song's named. In a comment Alice points her out as one of his guides in the nightmare.

The girl guide takes Steven to a disco, a nightmare to Alice/Steven, and there he finds a lot of zombies, maybe even only zombies. He mows them down with a machine gun but that doesn't matter, they just keep coming back. In this song, Disco Bloodbath Boogie Fever, there's a small reference to maybe being in Hell. In comments in the Classic Rock themed magazine Alice says that in Alice's/Steven's mind he is trying to kill disco when he kills the zombies but the zombies/disco just keep coming back again.

In comments to the next song, Ghouls Gone Wild, Alice makes it clear that the party is in Hell. There's a lot of zombie girls there and Alice/Steven is after a while actually falling in love with one of them which leads up to the sweet ballad Something to Remember Me by. In the context it becomes some Alice Cooper weired humor instead of a normal love ballad. Alice/Steven is standing there in love with a zombie girl falling apart and he or the girl sings ''something to remember me by'' which is also the name of the song.

Now Steven enters a new part of the dream. It's not clear whether he actually experiences this himself or helplessly whatches it happen. In comments Alice has stated that it should be unclear as one of those parts of a dream where you don't really know if you're part of the dream or just a spectator. When Hell Comes Home is about a little child and his mother terrifyingly dominated and mistreated by his dad/her husband. ''When Hell comes home'' is the dad arriving at home with the boy's mother hiding and trying to cover her bruises for others and the boy himself futilely trying to hide from dad in his room. There's no escape though, his drunken dad comes clamping up the stairs and bangs on the kid's door. In the end the kid can't take it anymore and dad's in for a surprise. The kids gets gun, being America probably dad's own gun, and shoots dad between the eys and writes dad's last farewells in dad's own blood. Anything to make dad leave him and mom alone.

What Baby Wants is a duet between Alice and Ke$ha where Ke$ha plays the part of some devilish seducer bent on getting Steven by her strings. Alice/Steven tries to resist and calls up memories of other meetings with other deceptive or masquerading creatures (The Curator from part 1 and The Showman in The Last Temptation?). In the end falls into her web anyway.

Seducer: ''I'll make you sit, beg, roll over, play dead.''

Steven: ''I'm gonna be your little pet.''

Both: ''Cause what baby wants, baby gets.''

In the next song, I Gotta Get Out of Here, Steven summifies his nightmare so far and wants to get out of the nightmare and wake up again. he don't know why he has fallen from grace but he wants to wake up again. That's where a choire asks him what partof dead he don't get. Steven tries to argue that he only signed up for a nightmare, nothing else, that death is a little drastic, that he wasn't informed about this but in the end there's no help. He can't fight it. The bonus song Flatline from the vinyl version of the record contains the sound of a heart surveillence machine giving the warning signal  when the heart stops and someone says something dark and blurry. If one plays the record at 78 RPM the call is clear, ''Steeeeeeeeven''. Apparently Steven dies somewhere along the nightmare and goes to either Hell or Purgatory. The record ends with The Underture which is a instrumental piece themed on more or less well known parts of Welcome to my Nightmare 1 and 2.

Where to place it in the story of Steven has to be it's own post though.

It's not the games, movies or music...

I guess noone's surprised that Alice Cooper doesn't think that enterainment violence make people go out and kill each other. After all a he do entertainment violence and horror for a living, or well rather for a professsion I think, probably he has what money he needs for a living. But besides not thinking that he actually has written a song that speaks against that games, music videos and so on makes people go out and exercise violence in real life. The song I'm thinking of is Wicked Young Man, the whole uncut lyrics is printed at the end of the post.

The song is from the album Brutal Planet released in 2000 who goes into what's wrong with society (in the form of a dystopic close future society) as do the predecessor The Last Temptation (1994) and the following album Dragontown (2002). The Last Temptation is not placed in the future though but is rather some kind of now and here urban fantasy (especially witht he accompanying  comics album by Neil Gaiman and Alice Cooper) and Dragontown is ''the worst place on Brutal Planet'', maybe Hell.

The most obvious part of Wicked Young Man is the chorous, as should be?
''I am a vicious young man oh I am a wicked young man
It's not the games that I play the movies I see the music I dig
I'm just a wicked young man''

Clearly it's something inside the young man rather than the outer stimuli in form of games, movies or music that makes him do the bad things.

If one listens to the whole song, which has march feeling and often is accompanied with some marching by Alice when he on concerts take on the role of the wicked young man, there's some more things to think about. The first and second verse is much a description of the young man and his goals.

'Cold blue swastika tattooed on my skin
The ice in my veins the staples in my chin
I've got it carved in my forehead "Slave To My Sin"
Too violent for the brotherhood to ever take me in

Gonna write down my law in blood upon the street
To the cadence of a goose-step heavy metal beat
Wanna purify my race gonna turn up the heat
Just wanna make 'em die and make the job complete'

The third and fourth verse speaks about what this young man does and want to do.

''I like to run my body on heavy heavy fuel
I can punch through a wall I can kick like a mule
I got a pocketful of bullets and a blueprint of the school
I'm the devil's little soldier I'm the devil's little tool

I got every kind of chemical pumpin' through my head
I read Mein Kampf daily just to keep my hatred fed
I never ever sleep I just lay in my bed
Dreamin' of the day when everyone is dead''

It seems that he is doing the drugs hard and one can presume that they're playing their part in this man's wicked perception of the world. He also apparently is running quite high on the drugs since he seems to sleep very little and rather indulge in his own wicked ideas. The fourth verse has an interesting part ''I read Mein Kampf daily just to keep my hatred fed'' If games, movies and music don't turn you into a maniac why would litterature? Or is it the repeating reading of the same litterature that is taking it's toll and creeps into the mind and change the young man (or keep him crazy)? If that's so, does that count for any litterature reagardless whether it's ''good'' or ''bad''? Is often repeated readings of the same smaller amount of litterature making you lose your grip of reality (as the man is reading Mein Kampf daily)? Could there be too much even of good stuff?

One can also see something of the idea that the man is feeding and actively upholding his own view, he reads Mein Kampf daily to keep his hatred fed which goes well with that reapeted intake of smaller amounts of litterature or ideas could alienate you from reality.

--

The whole lyrics:
Cold blue swastika tattooed on my skin
The ice in my veins the staples in my chin
I've got it carved in my forehead "Slave To My Sin"
Too violent for the brotherhood to ever take me in

Gonna write down my law in blood upon the street
To the cadence of a goose-step heavy metal beat
Wanna purify my race gonna turn up the heat
Just wanna make 'em die and make the job complete

I am a vicious young man oh I am a wicked young man
It's not the games that I play the movies I see the music I dig
I'm just a wicked young man

I like to run my body on heavy heavy fuel
I can punch through a wall I can kick like a mule
I got a pocketful of bullets and a blueprint of the school
I'm the devil's little soldier I'm the devil's little tool

I am a vicious young man oh I am a wicked young man
It's not the games that I play the movies I see the music I dig
I'm just a wicked young man

I got every kind of chemical pumpin' through my head
I read Mein Kampf daily just to keep my hatred fed
I never ever sleep I just lay in my bed
Dreamin' of the day when everyone is dead

I am a vicious young man oh I am a wicked young man
It's not the games that I play the movies I see the music I dig
I'm just a wicked young man
I am a vicious young man oh I am a vicious young man
I am a vicious young man oh I am a wicked young man